was a German mannerist painter. His name is derived from the birth place of his father, Aachen in Germany. Other variations of the name include Johann von - and - von Achen and various concisions like Janachen, Fanachen, Abak, Jean Dac, Aquano, van Aken etc. Hans von Aachen began painting in Germany as a pupil of the Flemish master E. Jerrigh. He then moved to Italy in 1574 to study further. He toured Rome and Florence, but eventually settled in Venice. He initially became a pupil of Kaspar Rems, but soon decided to develop his own mannerist technique, by studying Tintoretto and Michelangelo's followers. However, during all of his life he was influenced by the style of Bartholomeus Spranger and Hendrick Goltzius who dominated the art scene in Germany at the time. He returned to Germany in 1588 where he became well known as a painter of portraits for noble houses. He painted several works for Duke William V of Bavaria. He married Regina, the daughter of the composer Orlando di Lasso in Munich. In Munich he came into contact with the Imperial Court in Prague. In 1592 he was appointed official painter of Rudolph II, Holy Roman Emperor. However, Von Aachen only moved to Prague in 1601, where he stayed painting commissions from Emperor Rudolph II, and later from Matthias I. Amongst van Aachens pupils were Peter Isaak and Joseph Heinz. His works have been copied by Wolfgang Kilian, Dominicus Custos and Jan Sadeler.   Related Paintings of Hans von Aachen :. | Matthias Holy Roman Emperor | Bacchus, Ceres and Amor. | und auf der Reckseite die Entfesselung der Winde durch Aeolus | Athena | Der Maler Lodewijk Toeput, gen Pozzoserrato |
Related Artists:
ZUCCARO Taddeo
Italian Mannerist Painter, 1529-1566 Painter and draughtsman. Taught to draw by his father, at the age of 14 he went alone to Rome where, according to Vasari, he was employed in various workshops and studied independently, particularly the works of Raphael. Through assisting Daniele de Porri (1500-77), who had trained in Parma, he learnt of the work of Correggio and Parmigianino. He first became known for his paintings on fa?ades, notably scenes from the Story of Furius Camillus on the palazzo of a Roman nobleman Jacopo Matteo, executed in 1548. Vasari claimed that Taddeo's fa?ade decorations equalled those of Polidoro da Caravaggio; none survives, although some are documented in drawings (e.g. London, BM; Paris, Louvre) and show his assimilation of Polidoro's style. Taddeo's earliest extant works date from 1553 when he collaborated with Prospero Fontana on the decoration (part destr.) of the villa of Pope Julius III outside the Porta del Popolo in Rome; Taddeo's contributions included scenes of The Seasons in the loggia of the nymphaeum. In these, clarity of form and space, natural proportions and idealization of human form demonstrate his affinity with the classicism of the High Renaissance. He also assimilated the sculptural sensibility of Mannerism, derived from Michelangelo.
BEGAS, Carl the Elder
German painter b. 1794, Hainsberg bei Aachen, d. 1854, Berlin
Joos van Craesbeeck
(c. 1605/06- c. 1660) was a Flemish painter who specialized in tavern interiors, tronies, and other works similar to his teacher Adriaen Brouwer. Born in Neerlinter (Flemish Brabant), he became a master in Antwerp's guild of St. Luke in 1633?C1634, and like his contemporaries David Teniers the Elder and David Rijckaert III he developed rustic genre scenes. He subsequently moved to Brussels, where he joined that city's painters' guild in 1651. Paintings such as Death is Violent and Fast are typical of his small, theatrical images of peasants brawling crowded with violent expressive figures. Unlike Teniers, whose style became more elegant, Craesbeeck continued to paint bawdy figures later in his career.